Liubov Nosova, creativity and ingenuity to win 2nd place in the 1st ‘Llíria City Of Music’ Orchestra Conducting Competition

The 1st ‘Llíria City Of Music’ International Orchestra Conducting Coompetition praised, a few weeks ago, the best young batons on the planet. The 3 finalists played an extraordinary role and, although it is already known that the winner was the Hungarian director Levente Törok, one of the most positively surprising roles was that of the Russian director Liubov Nosova, who garnered a commendable 2nd place.

This young and promising Russian conductor, pianist and organist began her studies at the age of 4, debuted at the age of 9 as a soloist with orchestra and at 18 she conducted her first symphonic concert.

She is the winner of several competitions as an organist, she has participated in numerous competitions as a pianist and conductor, as well as recital tours in Italy, France and Switzerland.

She currently resides in Berlin, where she is pursuing her doctorate, after obtaining the prestigious scholarship from the Dirigentenforum for Deutschen Musikrats. She has ever since been invited to conduct the Bochumer Symphoniker, Berliner Symphoniker, Brandenburgisches Staatsorchester Frankfurt, Brandenburger Symphoniker, Moravian Philharmonic Orchestra, Pazardjik Symphony Orchestra, Saint-Petersburg Conservatory Orchestra, Academy Symphony Orchestra in Sofia, among other formations. Most recently, she has conducted Puccini’s La Boheme in Saint Petersburg.

4) MAUSOLEOS ROMANOS

Ciudad romana. S. I – II d.C. declarado BIC

Este espacio arqueológico conserva uno de los conjuntos arquitectónicos relacionados con el mundo funerario, más importantes de la antigua provincia romana de Hispania.

Estos monumentos funerarios formaban parte de la antigua necrópolis de Edeta. Se conservan los restos de dos monumentos funerarios dispuestos junto con una de las principales vías de la entrada a la ciudad romana.

Junto a la vía necrópolis, se encuentra el umbral de la entrada al recinto funerario constituido por cuatro losas con la inscripción latina P. CLODIVS EVTYCHVS SIBI ET CLODIAE NATALI VXORI CARISSIMAE que significa “P. Clodio Eutico lo construyó para sí y para Clodia Natalia, su amadísima esposa”.

El primer monumento tiene la fachada decorada con pilastras acanaladas y una cámara interior con dos bancos corridos donde se celebraban las fiestas de los parientes. El segundo monumento pertenece al grupo de sepulcros turriformes y conserva una losa con un orificio central para realizar las libaciones que tapa una cavidad cúbica donde se depositaban las incineraciones y los ajuares funerarios.

Un audiovisual dedicado al mundo funerario romano puede contemplarse en una de las salas de este sótano arqueológico.