UNESCO Creative Cities Network

The UNESCO Creative Cities Network strives to promote cooperation with and between cities whose musical identity is a strategic and vital factor for sustainable urban development.

The UNESCO Creative Cities Network, established in 2004, aims to strengthen cooperation with and between cities whose creativity has been recognised as a strategic factor for sustainable development in terms of economic, social, cultural and environmental aspects.

By joining the Network, cities demonstrate their commitment to sharing best practices, establishing relationships that promote creativity and cultural industries, strengthening participation in cultural life and integrating culture into urban development plans. The UNESCO Creative Cities Network covers seven areas of creativity: Crafts and Popular Art, Design, Cinema, Gastronomy, Literature, Digital Arts and Music.

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Objectives

Areas of action

The UNESCO Creative Cities Network, established in 2004, aims to strengthen cooperation with and between cities whose creativity has been recognised as a strategic factor for sustainable development in terms of economic, social, cultural and environmental aspects.

By joining the Network, cities demonstrate their commitment to sharing best practices, establishing relationships that promote creativity and cultural industries, strengthening participation in cultural life and integrating culture into urban development plans. The UNESCO Creative Cities Network covers seven areas of creativity: Crafts and Popular Art, Design, Cinema, Gastronomy, Literature, Digital Arts and Music.

4) MAUSOLEOS ROMANOS

Ciudad romana. S. I – II d.C. declarado BIC

Este espacio arqueológico conserva uno de los conjuntos arquitectónicos relacionados con el mundo funerario, más importantes de la antigua provincia romana de Hispania.

Estos monumentos funerarios formaban parte de la antigua necrópolis de Edeta. Se conservan los restos de dos monumentos funerarios dispuestos junto con una de las principales vías de la entrada a la ciudad romana.

Junto a la vía necrópolis, se encuentra el umbral de la entrada al recinto funerario constituido por cuatro losas con la inscripción latina P. CLODIVS EVTYCHVS SIBI ET CLODIAE NATALI VXORI CARISSIMAE que significa “P. Clodio Eutico lo construyó para sí y para Clodia Natalia, su amadísima esposa”.

El primer monumento tiene la fachada decorada con pilastras acanaladas y una cámara interior con dos bancos corridos donde se celebraban las fiestas de los parientes. El segundo monumento pertenece al grupo de sepulcros turriformes y conserva una losa con un orificio central para realizar las libaciones que tapa una cavidad cúbica donde se depositaban las incineraciones y los ajuares funerarios.

Un audiovisual dedicado al mundo funerario romano puede contemplarse en una de las salas de este sótano arqueológico.