Creative Cities in Spain

Spain has nine different creative cities in a wide range of cultural fields: music, film, literature, gastronomy and design are part of an expanding and collaborative network.

Llíria City of Music

Llíria made its debut last February in style as an international music capital. The debut took place at the Burgos Evolution Forum, at the 2nd National Meeting of UNESCO Creative Cities, in the face of great media expectation and a warm welcome from all the institutions present.

The UNESCO Creative Cities Network was created in 2004 to promote cooperation between cities that identify creativity as a strategic factor in sustainable urban development. The 246 cities that currently form the Network are working together towards a common goal: to position creativity and cultural industries at the heart of their local development plan and to actively cooperate at international level in this field.

Creative cities of Spain

Other Creative Cities that were present were Bilbao, as Creative City of Design, Barcelona and Granada, as Creative Cities of Literature, Seville and Llíria, as Creative Cities of Music, Terrassa and Valladolid, as Creative Cities of Film and Dénia which, together with Burgos, is Creative City of Gastronomy.

The cities of Kansas City and Panama that are part of the UNESCO network in the international group for the disciplines of Music and Gastronomy, respectively, were invited to the event.

4) MAUSOLEOS ROMANOS

Ciudad romana. S. I – II d.C. declarado BIC

Este espacio arqueológico conserva uno de los conjuntos arquitectónicos relacionados con el mundo funerario, más importantes de la antigua provincia romana de Hispania.

Estos monumentos funerarios formaban parte de la antigua necrópolis de Edeta. Se conservan los restos de dos monumentos funerarios dispuestos junto con una de las principales vías de la entrada a la ciudad romana.

Junto a la vía necrópolis, se encuentra el umbral de la entrada al recinto funerario constituido por cuatro losas con la inscripción latina P. CLODIVS EVTYCHVS SIBI ET CLODIAE NATALI VXORI CARISSIMAE que significa “P. Clodio Eutico lo construyó para sí y para Clodia Natalia, su amadísima esposa”.

El primer monumento tiene la fachada decorada con pilastras acanaladas y una cámara interior con dos bancos corridos donde se celebraban las fiestas de los parientes. El segundo monumento pertenece al grupo de sepulcros turriformes y conserva una losa con un orificio central para realizar las libaciones que tapa una cavidad cúbica donde se depositaban las incineraciones y los ajuares funerarios.

Un audiovisual dedicado al mundo funerario romano puede contemplarse en una de las salas de este sótano arqueológico.